![]() ![]() For example, the shutter speed dial has a central lock button for its Auto position, and the exposure compensation dial is recessed, which reduces the risk of accidental settings changes. It retains the same basic analogue control philosophy, but the design has been rationalized and refined in a fashion that suggests Fujifilm has been listening to feedback from users and reviewers alike. The X-Pro1 is most easily characterized as a beefed-up, interchangeable-lens version of the X100, but it's a lot more besides. The X-Pro1 with its initial lens set, with hoods attached: 35mm F1.4 (mounted), 60mm F2.4 Macro and 18mm F2 Focal-plane shutter, 1/4000 sec max speed.On-screen 'Q' control panel and redesigned tabbed menu system.Prime lenses have traditional-style aperture rings (1/3 stop increments) and large manual focus rings.Three 'XF' lenses at launch: XF 18mm F2 R, XF 35mm F1.4 R, and XF 60mm F2.4 R Macro.All-new, fully electronic X lens mount 17.7mm flange-to-sensor distance.Analogue dials for shutter speed and exposure compensation on top of camera.Dual-magnification hybrid optical / electronic viewfinder.Novel colour filter array to suppress colour moiré, no optical low-pass filter.Fujifilm-designed 16MP APS-C X-Trans CMOS sensor.Fujifilm is keen to stress its future commitment to the system, with a promise of seven more lenses by spring 2013, and further camera models to come too. It's unashamedly targeted at a high-end audience, with analogue control dials and a small set of compact, large-aperture primes available at launch. The X-Pro1 is the start of an all-new camera system, with a brand new mount and lenses. That camera has now arrived in the shape of the X-Pro1, whose name leaves absolutely no doubt as to its intended market: it becomes the first of its type specifically aimed at professional photographers. With the X100's success and the increasing popularity of mirrorless interchangeable lens cameras, it seemed only a matter of time before Fujifilm would introduce a higher-end model with exchangeable lenses. It was a masterpiece of engineering, but appeared to be a design very much dependent on its use with an integrated prime lens. ![]() This design not only allowed the choice of a rangefinder-style optical view or a fully electronic view, but was also able to overlay electronic data over the optical viewfinder. The X100 may have looked very traditional but it housed some very modern technologies - foremost amongst which was its hybrid optical/electronic viewfinder. The subsequent addition to the range of the X10 compact, with its bright, manually-controlled zoom lens, has cemented Fujifilm's resurgence as a brand worthy of serious attention. The X100's combination of 'traditional' dial-based handling and outstanding image quality brought widespread plaudits, making it something of a cult classic despite its undeniable flaws. When Fujifilm announced its FinePix X100 retro-styled large-sensor compact at Photokina 2010, it captured the imagination of serious photographers in a way the company seemed not to have quite anticipated. Please bear this in mind when reading this review. We recommend you familiarise yourself with the list of improvements by visiting Fujifilm's firmware update page for the X-Pro1. These significantly improve certain key aspects of operation criticised in this review, including autofocus and manual focus performance, operational speed, and handling. NOTE: Since this review was published, Fujifilm has released several major firmware upgrades for the X-Pro1. ![]()
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